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Yamaha THR100HD Amp Review

Yamaha THR100HD Review – After its success with the Yamaha THR10 more or less last year, Yamaha took the head out of its THR series; THR100HD. Although the THR10 series has various advantages compared to other amps in its class, it is still too small to be used for stage purposes.

That’s what the THR100 series is trying to give, with better sound quality and power, of course. This amp seems to want to accommodate guitarists to get an amp that can be used in various types of music.

This amp has two separate channels providing five different amp channel types; Solid state, clean, crunch, lead, and modern) and this amp also provides five different tube character types to use (6V6, EL84, KT88, 6L6GC, and EL34).

Yamaha THR100HD Review

The two channels provided can actually be called two amps in one place because, in addition to all the separate adjustment knobs, users can also use both channels simultaneously.

In terms of sound, the quality provided by this amp is far better than other modeling amps. The dynamics of our picking are responded to very well by this amp. In terms of taste and sound, this amp is more dynamic than solid-state amps. In terms of economy and quality, this amp is the way out.

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Yamaha THR100HD Amp Features

The THR100HD is a 100- watt( or 50 watts at 4 ohms) digital modeling amp head with two separate channels that each provide five different amp types( solid state, clean, crunch, lead, and ultramodern) and five different tube types( 6V6, EL84, KT88, 6L6GC, and EL34).

Actually, the two channels are really more like two individual amps in one head as they’re entirely independent of each other, and — coolest of all — can both be used at the same time to produce complex layered tones. Both channels give an identical set of controls amp type chooser switch, supporter clump and switch, gain, master, bass, middle, treble, presence, reverb, and volume on the frontal panel and power tube chooser switch and class A/ AB switch on the hinder panel.

Other Hinder panel features include a 16/8/4 ohm switch, two speaker labors( the ohms for each affair matches the ohm switch setting anyhow of whether one or two closets are connected), a 25/ 50/ 100- watt power affair switch( to match the press’s power standing), a brace of XLR line labors with speaker simulation, effect circle shoot and return jacks( stereo via TRS lines), 1/ 8- inch headphone affair, USB, and ground lift. The amp also vessels with a five-button (1/2, 1 2, supporter, reverb, goods circle) footswitch regulator that connects to the amp via an included string with noise connectors.

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